Returning: Chapter 1 - BTS Featurettes (2021)
Series of behind-the-scenes featurettes commissioned by the Sydney Opera House.
Women of Australian Film (2020)
Video essay commissioned by the Sydney Opera House for their 2020 ‘All About Women’ festival.
Partition and Division in Mikey and Nicky (2019)
Listed on the Criterion Daily as “among the highlights” of Rough Cut’s work.
Big Duck Richie (2019)
Screened as part of Pink Flamingo Cinema’s ‘Extremely Online’ 2020 film festival.
Hae-mi Monroe (2019)
A cinematic pas de deux finding parallels between Burning (2018) and The Misfits (1961).
Consent in Cinema (2016)
Listed on Sight & Sound as one of the “best video essays of 2017”.
Referenced in a ‘Videographic Film & Media Studies’ course at Middlebury College.
Have a Nice Daze (2016)
Featured in an article for 4:3.
Gone Girl: A Greek Tragedy (2016)
Widely shared on publications including IndieWire, Slate, Film School Rejects, The Film Stage, The Playlist, Cureditor, IMDb, Fandor and more.
Series of behind-the-scenes featurettes commissioned by the Sydney Opera House.
Women of Australian Film (2020)
Video essay commissioned by the Sydney Opera House for their 2020 ‘All About Women’ festival.
Partition and Division in Mikey and Nicky (2019)
Listed on the Criterion Daily as “among the highlights” of Rough Cut’s work.
Big Duck Richie (2019)
Screened as part of Pink Flamingo Cinema’s ‘Extremely Online’ 2020 film festival.
Hae-mi Monroe (2019)
A cinematic pas de deux finding parallels between Burning (2018) and The Misfits (1961).
Consent in Cinema (2016)
Listed on Sight & Sound as one of the “best video essays of 2017”.
Referenced in a ‘Videographic Film & Media Studies’ course at Middlebury College.
Have a Nice Daze (2016)
Featured in an article for 4:3.
Gone Girl: A Greek Tragedy (2016)
Widely shared on publications including IndieWire, Slate, Film School Rejects, The Film Stage, The Playlist, Cureditor, IMDb, Fandor and more.
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